Next up, Brooklyn, NY!

March 22, 2027: We kick off Inlay Immersion week with a lecture, followed by a Q&A session. Attendees will study stone design through the lens of the craft's global history. We have a tendency to get hyperfocused on one style that made it into magazines and galleries, but there is so much more!

Throughout the week, students engage in guided daily design sessions, explore fusing techniques, and develop a personal visual language rooted in their own lived experience. Instruction is hands-on. Both beginners and experienced makers leave with completed work and a stronger sense of their aesthetic voice.

Who is Fati Genese?

Fati Genese is an inlay and ceramic artist with over 25 years of jewelry fabrication and construction experience. She has studied, demonstrated, taught, exhibited, and sold inlay work across the United States, building thematic collections online for more than a decade. In her teaching, Fati prioritizes experimentation, individuality, and authentic creative voice over conventional themes.

Where is it located?

We'll be taking over Brooklyn Metal Works' gallery space to transform it into a fully-equipped lapidary studio, located on the second floor of 640 Dean Street in Brooklyn, NY (Prospect Heights/Brooklyn Cultural District).

What is the studio environment like?

Sustained standing and focus with a dedicated desk for your things. Move and stretch as needed; neurodivergent stimming and self-care are encouraged. Fridge available for packed lunch and rooftop access for fresh air. Afternoons are moderately to loudly noisy; earplugs, dust masks, and eyewear provided. Tactile, immersive experience with moments of deep concentration.

What level of experience do you need to take this class?

None. All skill levels are welcome. This class is taught entirely from a jewelry perspective. Come ready to take notes. It's quite a bit of information if you are completely new to hands-on creation.

What makes this particular workshop stand out?

You'll work in a studio modeled after Fati's own workspace, built for focus and creative flow. The curriculum is rich and wide-ranging. Past students often describe it as feeling more like a retreat than a class. You'll leave with finished pieces and a lot of new inspiration. The goal is work that lasts, not just a beautiful or trending motif.

What is the cost?

The official cost for 2027 will be listed here. Further details coming soon!
A $65 supply fee is collected on the first day of the workshop, paid directly to the instructor.

Who will be there?

4–8 students meet for five days in a row. It's kept small by design. The NY session will accomadate 8 because of the level of response from returning students.

Workshop Schedule

• Monday–Friday: 12:00 PM – 5:00 PM
  

• Is there a place to get food close by?

  Yes, there's a coffee shop, a pizza place, and other restaurants all within walking distance.

  Is there a break during class for lunch?

  Expect to arrive fed and hydrated. We will be utilizing the full five hours, with a short 20 minutes break in between. You can come and go as you please after the first hour.

What if I am not able to make all of the days?

You can arrive up to 15 minutes late or leave up to one hour early each day without missing important demos. If you need to miss more than that, this class may not be the right fit. Full attendance is not required but strongly encouraged. Between workshopping ideas, demonstrations, and the general learning curve, you'll want to utilize every hour to implement new information and test it out.

Is the studio wheelchair accessible?

No. The studio is on the second floor and requires climbing stairs.

Can we film or record the class?

No. You're welcome to take photos of your own work and fellow students upon consent. Photos of all projects and a class photo will be taken at the end, as well as a group photo if you wish to participate.

Can I bring my own stones?

Yes, and you're encouraged to. Bringing your own stones is a great way to get specific questions answered. We do not allow Pyrite, Malachite, Sonora Sunrise, or Copper Ore on the machines. Keep in mind that not all stones work well for inlay. More details on that subject are covered in class. The supply fee is still required regardless.

What are the benefits to learning from a teaching artist?

Fati has real-world experience as a working artist who actively sells and exhibits jewelry to a dedicated client base. She's seen how pieces hold up over time and in different conditions and understands the path to creating jewelry that lasts. 

What are former students saying?

"You teach such a great class. I wish I could do it again."

"Amazing teacher, amazing time. Thanks so much."

"Fati was such an inspirational teacher, thorough and engaged, and provided feedback in a kind manner. She was very open and willing to share her tips, tricks, and even some contacts and vendor recommendations. She really encouraged us to feel like a team and continue our relationships beyond the classroom, which unfortunately has rarely happened in past experiences I've had."

"Fati was a wonderful and generous teacher. Patient and helpful, also. I was impressed with the wide array of lapidary material she brought for the class."

"Fati was a truly inspiring teacher to learn this technique from. She was a dedicated teacher, generous with her time, and always open to new ideas."
"This was the best class!"

"The Intarsia workshop was absolutely wonderful. Fati is an incredible source of knowledge and teaches with so much curiosity and compassion. I learned an incredible amount in this course and was given the freedom to explore my new skills with Fati's support. I feel prepared to bring intarsia into my creative practice, navigate all of the necessary tools, and have the foundations necessary to refine this craft for years to come. On top of all of the learning, Fati fosters a wonderful, low-key community environment where I got to connect with my fellow students. Overall, a total joy! I will definitely take any class Fati offers down the road."